Anna Caterina Antonacci
Anna Caterina was recognized as one of today's finest sopranos, winning prestigious awards in her Voci Verdiane Callas & Pavarotti contests. The highest honor she can receive is the title of Chevalier de l'Ordre National de la Legion d'honneur, given by the French Republic. Era la Notte on the Naive Label was well received. With her pianist Donald Sulzen she also recorded L'Alba separadilla lumi l'ombra, which includes Tosti Cilea and Hahn. Anna Caterina, a distinguished member of the General Assembly of the Academicians of Santa Cecilia's distinguished members, in 2021 was selected as one of the Accademici Effettivi. Anna Caterina performed as Madame de Croissy at Teatro dell'Opera di Roma for this season's 22/23. The show was led by Emma Dante. This season, Anna Caterina will perform the role of Madame de Croissy again in the Bayerische Staatsoper. Anna Caterina Antonacci, an Italian soprano is well-known for her performances in the bel canto and Baroque. She was mezzo-soprano throughout her career and was particularly famous for her performance of her role in the Rossini canon. Anna Caterina Antonacci has a age of 62 and her height is not available at the moment. We'll update Anna Caterina Antonacci's Height Weight Body Measurements, Eye Color Hair Size of Color Shoe and Dress as in the near future. She is currently single. There is no relationship with her. We don't have details about her previous relationships or commitment. Our Database indicates that she doesn't have children. There has been a substantial growth in her net worth from 2022 and. So how much is Anna Caterina Antonacci's worth today at age 62? Anna Caterina Antonacci's source of income comes mostly from being successful . Anna Caterina Antonacci (born 5 April, 1961) was an Italian soprano best known for her performances in the bel canto and Baroque repertories. She sang as a Rossini Canon mezzo-soprano. Antonacci was born in Bologna in Italy, and made her Arezzo debut in 1986 with the name Rosina. She was profiled at length in the New York Times in March 2012.






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